For a long time, it wasn’t uncommon for distribution bosses to throw shade on one another’s success, but in the case of A24’s Everything Everywhere All at Once, there’s nothing but glee emanating from Hollywood for the New York-based indie studio’s success with the martial arts fantasy movie from Dan Kwan and Daniel Scheinert.
At a time when every studio executive around town is questioning what works on the big screen — outside of superhero movies — as the pandemic eases and with specialty cinema slow to rebound, along comes Everything Everywhere All at Once to karate chop those doldrums away and clear $20.5M on a platform release.
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